Chapter 28 tells of the extraordinary achievements of Maury, a friend of mine, who was in my class at piano tuning school. Maury is not his real name. In Piano Dance, for most of the people who are not famous, I changed the names to respect their privacy. The one exception is Kelly, the piano teacher in Chapter 32. He gave me permission to use his actual name.
I had lost track of Maury over the years, so I searched the internet to find a way to contact him, in order to ask if he wanted me to use his real name in the book. I read through numerous postings on the internet and found an old phone number. I called it to see if he still had the same number and he answered the phone, as he was standing on a street in Mexico. We had a great time catching up on the last 40 years, and he agreed to read this chapter about him. I gave him the opportunity to refuse to have his story published, as well.
After he had read the chapter, we talked on the phone. His reaction was, “I can’t believe you recalled so many details about my life.” I said I found it pretty easy, because it was so interesting. I asked him if I got anything wrong, and he said I got some of the things out of order, but the only thing that was inaccurate was the color of the shoes he wore when he conducted the jazz band in Sanders Hall at Harvard. He recalled that although the group was called, “Composers in Red Sneakers,” he wore purple Converse Allstars when he conducted. Then he said an interesting thing. He said, “It’s not important that every detail is actually accurate. The important thing is that all this is your memories. That is what is important.” I appreciated that advice. As a result, you will find that the story in Piano Dance still has him dressed in red sneakers, not purple.
I asked if he wanted me to use his real name in the story, and he declined. I accepted that and didn’t ask why. I didn’t want him to feel like he needed to defend his choice. For one thing, he hadn’t read any of the other stories in the book, so he couldn’t know whether he wanted to be part of something of unknown quality. Also, we all know now, that privacy is a big issue on the internet. So I don’t know the answer, and I’m willing to live with the mystery.
Chapter 30 described an older pianist who gave challenging annual concerts on her birthdays for her friends. She was a wonderful role model for living life to the full as long as one can.
Here is a link to a performance of one of the pieces she played, Chopin’s Nocturne #7 in C# minor, Op. 27 No.1: LINK
As I age, I have found that learning new music is especially renewing to my cognitive ability. I am fortunate that I can also sing, so memorizing the words and performing both the piano and song together make even more demands on my brain. It’s amazing how it clears the fog. I find it very encouraging that I can keep learning even at an advanced age.
Chapter 31 was about meeting a musician with knowledge of a beautiful area of the coast of Maine. I sang for him the chorus of one of my favorite songs about Maine coastal life.
Here is a link to Gordon Bock singing “Old Fat Boat:”
Here is a link to wooden boat builders in Brooklin, Maine: LINK
Here is a link to the wooden boat builder that my brother-in-law worked with: LINK
And here is a link to Wooden Boat, which has classes on boat building and links to Wooden Boat Magazine: LINK
And here is a link to Noel Paul Stookey’s website, listing upcoming concerts: LINK